Monday, November 19

71119

it’s morning

I’m sitting here feeling the weight

of my maiden’s breasts in my hands

trying

to imagine what they would feel like

pendulous and heavy with milk

how it would feel to nourish a baby

with these

because I’ve fed children

but never from my own body


everyone talks about the great connection it forges,

breast-feeding a baby

when does that tie grow weak?

fray

sever?

and who feels it more

the child or the mother?


I let down my hair, cascading, around my shoulders

covering me

I wish it could hide me

an invisibility cloak

sheltering me so that blows

physical and emotional

may miss their mark

instead of lodging,

an aching arrow,

between my breasts


I want to rip it out, this arrow,

tear it from my flesh

break the shaft over my knee

and hurl the point far away from me

so I never have to feel it again


but I am afraid

that in removing it

I may destroy my own heart

or worse, that I might see,

reflected on the razor-sharp point,

myself

and what is yet to be


so what do I do with this

this bond

forged in the womb and stretched across the years

it used to be strong

stronger than reason

now all I can see are the holes, the innumerable patches,

tattered and hoary with age

culminating finally with this arrow

this wretched arrow

in my heart

Thursday, November 8

The Ecology of World Hunger

Salutations, dear reader. I don’t know your name, your gender, the color of your hair, your ethnicity, or your political ideology, but I do know one thing about you (with 99.9999% certainty, through sheer probability alone, but we’ll get to that later): you and I are of the same culture. Now, don’t get offended. Yes, I am your average 5th-generation American mongrel, and you may be pure Japanese going back for as long as there has been a Japan, but that’s not what I’m talking about. While our ethnicities may be very different, what we share is a common cultural world view, a world view that has been around for the last 10,000 years, give or take. This world view that has spread throughout the East and West alike, leaving only tiny pockets of other cultures untouched, numbering somewhat less than 100,000 people total, making this vast culture the culture of 99.9999% of the globe. I first became aware of the commonality of global culture while reading different works by author Daniel Quinn. Where relevant, I will refer to specific examples and terms Quinn has used, but as much as possible I will try to explain the situation in my own way, as it relates to the specific issue with which I am presently concerned, that is, world hunger.

Ah, finally, I’m getting to the point. This is what I’m really talking about, world hunger, just another of the problems we’ve been trying to fix, like global warming or the destruction of the rainforests. Surely I don’t need to draw this global culture idea into the fray, do I? Sit back, my friend, and listen.

Before I begin to explain how we came to have this massive hunger problem, I must explain a concept or two. When I say that a certain group will not do Z because Z is not evolutionarily stable, this does not mean that no one has ever done Z. It means that those who have done Z are no longer around because doing Z results in elimination from the gene pool. Therefore, if a certain group is around, they have not been doing Z. Please remember that we are speaking on an evolutionary scale, where it may take hundreds of thousands of years to weed a trait completely out of the gene pool.

The first modern humans appeared about 100,000 years ago somewhere in Africa. They spread out over the globe, developing their own ways of living each suited to their particular locales. There were as many ways to live as there were peoples. Some peoples hunted for all of their food, some hunted a little and gathered a little, some gathered a lot and planted a little, some planted a lot and gathered a little and hunted a little. Diversity is, after all, the key to an evolutionarily stable ecology. This life was fine for them, for 90,000 years. I am not saying that it was a paradise, that humans during this period were free from any negative emotions, that they were free of problems inside the tribe caused by jealousy or anger, such as murder or infidelity.

What I am saying is that there was tolerance between tribes - indeed, between species. That is to say that humans, like lions and deer and trout, respected the law of limited competition. Quinn has phrased the law as follows: “You may compete to the full extent of your capabilities, but you may not hunt down your competitors or destroy their food or deny them access to food.”[1] Tribe A might give a show of force to Tribe B to protect their territory and their resources, but they won’t massacre Tribe B or take over their territory, because such a course of action is not evolutionarily stable.

I am speaking here of the law of limited competition with regard to humans, but it applies to all of nature. Humanity is not exempt from the effects of disobeying the law of limited competition, any more than they are exempt from the effects of disobeying the law of thermodynamics. This is what makes something a law of nature: its universality. Natural law theory as a formal philosophical theory was expressed first by the Greeks, saying that “the world is a rational order with values and purposes built into its very nature.”[2] Natural law theory is not merely a metaphysical theory however: it is often applied to ethics. What is natural is equated with what is right, what is unnatural is equated with what is wrong. The Christians took well to natural law theory, with one addition: their God, God being the one who built this purpose and value into nature. And because God had created this order, God was the one who had decided what was right and wrong.

Natural law theory has not had many adherents in recent years, due at least in part, albeit perhaps unconsciously, to David Hume’s criticism. He thought it the height of foolishness to equate what is natural with what is right; that move was, in his opinion, completely unphilosophical.[3] Other critics of natural law theory have also regarded negatively the move of drawing morality into natural laws. Nature is what it is, there is no sense, indeed no compelling reason or rationale for placing ethical labels on natural states. I do think there is some merit to this view, but for different reasons than the holders of the view themselves might have. However, we need to return to the story of humanity.

This was how the stage was set 10,000 years ago. In different places all over the globe, within a few hundreds or thousands of years of each other, a few cultures decided to pursue a different kind of agriculture, called totalitarian agriculture by Quinn. It has a new set of precepts, which are contrary to the law of limited competition. They are: 1) food dedicated to human use may be denied to all other species, 2) any species that would compete for human food may be destroyed at will, and 3) food needed by other species may be destroyed at will to make room for the production of human food.[4] This culture change is generally called the First Agricultural Revolution, or the Neolithic Revolution.

The reasons for this sudden shift in food management are not always examined by the average person. You know that this revolution happened of course, but perhaps you have not found it necessary to think too carefully about why it did or what the immediate effects were. One thing is definite: our cultural ancestors did not embrace totalitarian agriculture because it was easier. Two or three hours of labor per day is enough to sustain the average hunter-gatherer, while we zip about with our eight or nine hours workdays – not forgetting, of course, that our farmer forebears often worked 10, 12, or even 16 hour days, and that in some areas of the world people still work those kinds of hours just to make ends meet. The immediate effect of totalitarian agriculture is a population explosion, necessarily followed by a rapid geographical expansion. Now remember that at this time there were thousands of cultures living in relative peace alongside one another. A culture who embraced totalitarian agriculture would soon outgrow its boundaries and need to spread out, obliterating surrounding (and incompatible) cultures. And so the revolution continued, and continues to this day, swelling and swallowing every other culture in its path. This is what I meant when I said we are of the same culture. The food we eat, the way we gain our sustenance, is based on the principles of totalitarian agriculture.

Examining totalitarian agriculture from an evolutionarily stable standard is almost horrifying, and certainly cause for alarm. Not only does it flaunt the law of limited competition at every point, it decreases biodiversity exponentially, leaving the involved ecosystem vulnerable to complete obliteration. It is not surprising to hear that each day more than 200 species are lost to the juggernaut of totalitarian agriculture. The population explosion continues to this day, and we continue to outstrip our resources. We are producing enough food to feed all the people on earth, only for some reason not all the people who need it are getting it: it’s not being distributed equally. So we produce more food. Except you and I know what more food production yields: population growth. Every time. We look at the world around us and we see that people are starving and rather than allow our population numbers to fall so that our current food supply is accurate, we respond with public outcry and take steps to increase our food production. The problem is increased food supply equals still greater population growth. So once again our numbers rise, outstrip our food sources, and people starve.

In producing more food, we are not alleviating the problem of unequal distribution, we are just fuelling population expansion, which will amplify the effects of the unequal distribution problem and continue to have devastating consequences for the sustainability of the global ecosystem. Because charity is constantly a part of our world, so too is population explosion, disparity of wealth, and starvation.

Common explanations of natural law theory justify this egotistical cultural movement by saying that that humans are the natural apex of the world, or that God made the world for man to use. I find this world view to be part of totalitarian agriculture. In taking the whole of worthy food production into our own hands, we are in effect saying that it is our right to do so, that it is right to do so. I am here to offer a breath of life for natural law theory, and a ray of hope for the world as a whole. What is natural is not right merely because it is natural; it is right because it is what works, it is what has worked, by definition. Sometimes we don’t remember that what is natural is the result of billions of years of refining – why would you want to mess with that? The world is in the state that it is because our culture has forgotten or ignored this. The way to reduce world hunger in the future is not to produce more food, it is to allow the population of the world to come back into balance with the resources sustainably available to it.


Sources:

Quinn, Daniel. (1992). Ishmael. New York: Bantam.

--- (1996). The Story of B. New York: Bantam.

Rachels, James. (2003). The Elements of Moral Philosophy. New York: McGraw-Hill.



[1] Quinn, Ishmael, p. 129

[2] Rachels, The Elements of Moral Philosophy, p. 53

[3] Ibid, p. 56

[4]Quinn, The Story of B, p. 260

Sunday, November 4

Recipe Special

Taking a departure from my normal conscientious-ish postings...I discovered this delicious soup this afternoon. Not quite sure what to call it, sorry. Suggestions?

1 C mixed dried beans
2 cubes vegetable bullion
1 jar Uncle Ben's Szcheuan Chilli sauce (500g, about 2 C, ish)
8 C H2O

Bring to boiling and let simmer for several hours...I think I let it for about 6...until most of the liquid has boiled off.

Result: a lusciously spicy vegetable soup. Almost a little too spicy for me, but the beans balance it off. So spectacular I just had to share!

Wednesday, October 24

Updated Cunt

Ooo! I was asked for an update on my previous post. So here's a list of how well I kept up with those:

1. Okay, haven't been so good about tracking the cycles. BUT I am paying a lot of attention to the phases of the moon and the tides.
2. Um, yeah...I have a hard enough time finding anything over here, much less trying to find alternatives. But I'm going to look into non-massive-corportation stuff when I get back home.
3. Only the medicines mandated by my psychiatrist, no caffeine (!), and little alcohol.
4. No published stuff yet, but I am writing again. Hadn't written anything in a long, long time. Feels good to be back on the horse.
5. Hehe. Of course this is the one that I've fulfilled. Yep, might be uncomfortable to converse with me sometimes.
6. I buy from small stores as much as possible.
7. The downloading is going well! I recommend Limewire.
8. Am definitely more mindful. I feel like some spy or something, constantly aware of my circumstances. Also looking out for other women. Girls gotta stick together.
9. Yeah, don't watch TV anymore.
10. Yay, I'm doing this one too! Google Reader feeds save my life.
11. So far, haven't gone to one...
12. No chess playing, sorry.
13. Haven't had a telemarketer call to do this to. Jehovah's Witness', here I come! Okay, maybe not. Maybe just the Pentecostal that keeps accosting me in the park.

So, that's fair to middling. Not great, but progress.

Thursday, October 4

Music: the greatest cultural denominator

Music is the lowest common denominator among people. Every culture has music in some way, shape or form. There are so many cultural barriers: religion, language, climate, food, political and economic systems, just to name a few. Music is an expression of primal emotion, first and foremost, and as such can be recognized and empathized with just as emotion is. I feel it is as critical as eating, an opinion shared by ethnomusicologist Thérèse Smith: ‘It is exhilarating to discover that music has as many meanings and contexts as there are cultures and subcultures, and, moreover, that it is a fundamental and essential human activity – not something frivolous or “extra” as it is often considered in the West.’[1]

People have been making music for as long as they have been calling themselves people, presumably. The “dawn of civilization” is usually set somewhere around 10,000 BCE, but I’m not talking about civilization. I am talking about people. About humans. The “agricultural revolution” might have done great things for the population size of humanity, but in the long run, I believe it has doomed its partakers to extinction. That, however, is a subject for another day. Music surely had its start long before people began organizing themselves into villages and growing all their own food, just as speaking and dancing did.

At that time, scores of thousands of years ago, music would have been passed on aurally and orally, a practice which in some cultures is maintained to the present day. Although some form of musical notation has been available in some cultures for thousands of years, many cultures remain non-literate to the present day, or they find aural/oral transmission advantageous for any of a number of reasons. For example, the Celtic druids required that their music be passed on in this way, so that no written record might get out to those not ready for it, and as stone-singing (a method of dressing and moving stone through the use of complex harmonic choirs: one explanation for the construction of Stonehenge) is part of the mythic legacy surrounding the druids, this practice may well have been pragmatic.

Personally, I find aural/oral transmission to take more skill than following notes on a page. It also lends itself better to improvisation and dynamic growth of the art. After being actually exposed to what people trained aurally/orally can do, I feel that this type of training is certainly not inferior to classical training, as some people are wont to think, but instead may even surpass it and they certainly can supplement each other with astounding results.

But when you learn something in that way, so the memory of it is inside you, not printed externally, it becomes part of your very being in a way that is somehow more vital. Thus ingrained, the music becomes more integral to the culture as well, that is, it becomes part of a sense of cultural identity and tied to other aspects of the culture. This is perhaps why music is often so much a part of religion, because religion is inexorably linked to cultural identity as well.

Culture itself can be defined as a transmission of a way of being sustained over time. Musical culture would then involve transmission of musics to the next generation and beyond. Because there wasn’t a neutral and reliable source of “how things were” a generation or more ago before the advent of recordings, the sense of “the tradition” that is present in many modern musical cultures was probably not the same issue it sometimes is today. If preserving the tradition was an issue in times past it would have a different cast, as one would have to rely on people’s memories of memories – who would you believe, and how would you solve conflicting reports? Recordings themselves present particular problems, as the cultural situation entire cannot possibly be reproduced, and they lose much along the way, a concern expressed by Smith: ‘If through transference a piece of music survives only as sound, devoid of meaning, its interest is severely reduced.’[2]

Irish traditional music is noted (or notorious) for attempting to strictly hold to tradition, for having respect for old music, sometimes treating as ancient what is certainly less than two hundred years old. Each part of the tradition seems to have this attitude to one degree or another, but sean nós singing, with its very name meaning “old style” takes the concept of upholding the tradition to another level.

However, producing a meaningful and universally accepted definition of sean nós seems to cause its own problems. Somhairle MacGill-Eain has described it in this way: ‘that ineffable fusion of music and poetry, in which the melodies seem to grow out of the words and be a simultaneous creation.’[3] I find this to be a rather observant and apt description for several reasons which should become clear as I describe the sean nós singing tradition.

Because sean nós is a style of singing, the songs contained within range from slow airs to love songs to humorous and bawdy tunes. The songs are in Irish, and the melodies display the rhythm and metre of the Irish poetry to wonderful effect. There are often nonsense syllables, especially in the chorus. Many of the songs date from the sixteenth and early seventeenth centuries, although that is certainly not a requirement, and often the poet and/or composer are not known. This era in turn probably owes a great deal to the bardic tradition of the centuries before.

Usually, the song would be sung before an audience who already knows the words and the story behind the song, however the singer still often relates the údar an amhraín (source of a song) before performing.[4] Sean nós would have been a welcome and appropriate addition to any community gathering, from weddings to funerals to house parties. Although the singer usually affects a more or less detached air while singing, the lyrics themselves and the subtleties of performance create a strong bond between singer and audience.

Instead of using “dramatics” or emotional singing, the singer uses spontaneous and improvised variation to convey expression. Such variation might include ornamenting the main melody, changing the rhythm to suit mood and audience, and phrase management.[5] The consonants l, m, n, and r are often sustained to show phrasing, and are sometimes even slipped in extraneously to signal the end of the phrase. Although the improvisation is entirely up to the singer, there are certain general regional trends which can be recognized by the observant listener, the more distinctive ones being those from counties Galway, Donegal, and Waterford. Finally, the singing is unaccompanied.

Like the rest of Irish traditional music, sean nós was in danger of dying out as the gaeltacht (Irish-speaking) areas of Ireland dwindled. Upon the founding of the Conradh na Gaeilge (Gaelic League) in 1893, preservation and cultivation of interest in the Irish language started to get promoted through the arts. There are now many sean nós competitions, one of the most prominent being Oireachtas na Gaeilge.

It is often difficult for the “outside” listener to appreciate sean nós because it differs in many key ways from the classical style. No dynamics or vibrato, and the use of a bare (and sometimes nasal) voice are common complaints. These qualities make sean nós all the more appealing and engaging for me. Because it is so different from what I am used to, I want to immerse myself in it until it feels like a second skin. I feel fortunate to be able to take a course in sean nós this term, as witnessing a performance in its natural situation and participation are two of the best ways to come to know a music. I sometimes fear that in these days of globalization, less mainstream aspects of cultures may fall by the wayside. Exposing myself to novel and distinct things is my way of coping. I can only hope that many others of my generation and generations to come will feel the same so that precious things like sean nós singing remain a part of the global culture quilt.



[1] Thérèse Smith, p. 25.

[2] Thérèse Smith, p. 23.

[3] in Companion, p. 336.

[4] Fintan Vallely

[5] Ibid.



Resources

Smith, Thérèse, ‘The Study of Oral Traditions of Music,’ 2001, in Éigse Cheol Tíre Irish Folk Music Studies, ed. Hugh Shields, Nicholas Carolan, and Thérèse Smith (Dublin: Mahons) vol. 5-6, 17-28.

Vallely, Fintan, 1999, Companion to Irish Traditional Music (Cork: Cork University Press) 336-344.